Katie & Scott & Simon & Cecily.

Tag: theatre (Page 3 of 3)

Day 41: the unlikely similarities of live theatre and video game development

Unless you’re performing Shakespeare, you have one huge advantage as an actor over the audience: none of them know the script.  Most of them have never read it, and the few that have don’t remember the details.  So messing up a single word?  No one will know.  Flub a whole line?  Cover for it quickly enough and only a few people will notice.

This is also a huge advantage of game design, although it is often balanced with early hands-on previews and marketing; the players haven’t read the design documents.  They don’t know what’s been cut from the game.

It’s an important piece of information to keep in mind when making the tough decisions on what needs to be cut or deferred.  Our job is to make the best game we can ship, not an ideal and perfect piece of software that comes out “sometime.”

We also have the advantage of more time.  While an actor must react within the split second when he or a fellow actor forgets a word or line, a game team usually has time to discuss and investigate an issue before deciding what should be done.

We shouldn’t lose sight of the fact that our decisions must, in the end, be in service of the players.  Our decisions need to be based on both the original intentions set out by our design docs and the compromises we can make that still reveal the best experience to the player.  In many cases, it is better to cut a large system wholesale than to release something that may only fulfill half the design doc.

It all circles back to the fact that the player won’t know if a huge system is entirely cut, and that time can be spent making other features better.  On the other hand, releasing a half-done system usually reveals the scope of the design doc and the fact that the implementation fell short.

What other similarities are there?

  • Previews and Focus Tests are invaluable.
  • It takes a lot of different people with a lot of different skills to get one show or product done.
  • No matter how hard everyone works, the only thing that matters is the reaction when the curtain goes up.
  • Most of your fans are really nice.  Some of them are insane and scary.

Day 22: my favorite things, some more of

A continuation of sorts!

Musical: Hedwig and the Angry Inch
Honorable Mention: Rent
Hedwig is the only musical that I’ve seen twice in the same run.  It’s one of the first musicals that I went to with my future wife, it starred Anthony Rapp in it, and it’s the primary reason that Katie works in the theatre.  The songs rock, the story is funny and sad, and it’s a one-man show that never quite feels like the typical one-man show.  I doubt I’ve listened to the soundtrack as much as I’ve listened to Rent, but no two live performances of Hedwig are the same; it manages to capture the absolute joy of live theatre.

Video Game: Portal
Honorable Mention: Ico
The mark of a truly great game for me is the feeling of regret that I have when I realize that I will never again get to experience it for the first time.  Portal is a game where I would gladly watch someone else play it, just so I can vicariously experience it again for the first time.  It is a brilliantly designed puzzle game that just happens to be controlled as if it were a FPS.  It has a superb storyline and witty dialogue.  The companion cube and the end credits song are already iconic in gaming canon.  It’s hard to overstate my satisfaction.  Portal exceeded all of my already high expectations.

Ico is a different matter.  I played Ico when I was still just getting into games and it took me by complete surprise.  It was the first game I ever consumed over a weekend, playing it because I didn’t want to do anything else.  It’s probably the first game that showed me the emotional power that the medium was capable of.

Radio Show: This American Life
Honorable Mention: Wait Wait…Don’t Tell Me
It’s a smaller pool to pick from, as there aren’t all that many radio shows, but I’d be hard pressed to find any other 60-minute aural experience that beats This American Life.  The show manages to continually find stories that are interesting and thought-provoking and I look forward to hearing each week’s podcast when I go to work on Monday.  Wait Wait is a bit lighter, but it keeps me updated on major news, as well as being consistently good for a laugh.  I’m not a big podcast person, but these two shows have a permanent spot on my list.

Board Game: Settlers of Catan
Honorable Mentions: Power Grid, Category 5
Neither of these are really daring picks, but in the long run, I think I’d take Settlers over other games I’ve played.  It’s relatively easy to teach to new players, is a great gateway game for players who haven’t played many Eurogames before, and has a great balance between luck and skill involved.  The fact that it forces direct player interaction through trading is icing.  Power Grid and Category 5 are on opposite sides of Settlers; Power Grid is a bit more hardcore and Category 5 is a bit lighter.  I love the critical decision-making in Power Grid, especially as decisions in earlier phases can have large impacts in later phases.  And I love the tension in Category 5 as you attempt to read the minds of your fellow players just before you flip over your numbers.

Day 7: rent

Last night, Katie and I watched the DVD of RENT: Filmed Live on Broadway.  I’ve seen Rent twice on Broadway, watched the film version that came out in 2005 a couple times, and listened to the soundtrack too many times to count.  Since I began listening to music as a human being, it’s probably been the album that I’ve listened to the most times.  In all, the show has had a large influence on my life.

I still love the show, and I expect that most musical-theatre-lovers of my generation do too.  It may not be their favorite musical, but it’s hard to believe that it doesn’t hold a special place in the heart of anyone who saw it when they were young and just beginning to appreciate musicals.

What makes it so great?  First, it’s well written.  The songs are catchy and infectious, the  characters just flawed enough, and the plot is touching without becoming trite.  Every time Angel dies (spoiler!), I still cry.

Second, the story of Jonathan Larson’s career and the journey of getting Rent to the stage is heart-breaking and inspiring.  It’s the kind of thing that only seems to happen in made-for-TV-movies.

Most powerfully, for a kid in school, seeing or hearing this musical opened doors you didn’t know were possible.  It let you look past the touring production of 42nd Street you saw last summer and the version of Kiss Me, Kate that your school was putting on this year.  As the opening chords of Tune Up #1 start, it was like Larson whispered in my ear: “do you see what a musical can be?”  It can be dark and full of electric guitars.  It can be set in a abandoned loft in New York City.  It can speak to what people are like today.

Taken together, Rent is so entertaining and so hopeful and so powerful that it has a permanent spot on my iPhone.  I’m sad that I’ll never get the chance to see it on Broadway again, but I feel grateful that I was lucky enough to see it for the first time as a kid.

It also let me bond with a bunch of friends in college quickly and easily.  For example, here are some somewhat embarrassing college pictures of me “performing” Light My Candle and La Vie Boheme next to the fence at CMU late one night freshman year!

rent2   rent4

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