Katie & Scott & Simon & Cecily.

Tag: college (Page 2 of 2)

Day 70: puzzling

Good puzzles are hard to craft, challenging to solve, and give the person who does eventually figure them out a great sense of satisfaction.

Good puzzles are also hard to come by. Back in college, Microsoft would sponsor a yearly puzzle competition that required a full-day commitment and a team of 3 or 4 people. I only participated in it one year, but it was a very fun day.

I have, since then, judged puzzles against the ones that were a part of that competition. There are, to me, several factors that take an OK puzzle and make it great. Here they are, in descending order of importance.

Minimalism: the best puzzles are ones where every element is integral to the solution, meaning that by definition, it is a minimalist puzzle. Put another way, this could read “no red herrings.” Not every aspect of the puzzle has to point directly toward its solution, but no part of the puzzle should be there for no reason. Even more importantly, no part of the puzzle should be there to intentionally throw the puzzle-solver off-track. That’s mean and, for a good puzzle, completely unnecessary.

Multiple Epiphanies: all good puzzles should contain moments when the solver suddenly understands something; a certain code or representation will suddenly click, or the relationship between two elements in the puzzle suddenly becomes clear. The trick is to have multiple epiphanies. Conventionally, these will build upon each other, but if solving portions of the puzzle independently also has its own reward. Solving one code and applying it three times isn’t too fun. Solving three integrated codes and having to apply each one differently is much more rewarding.

Strong Causality or Interlocking Parts: so your puzzle has multiple parts to give the solver multiple chances to discover things. Take it up one more level, and create a way to interconnect them, so that a solver will be given hints on how to solve section B after solving section A. If you’ve designed the puzzle really well, solving section B first will also give hints on how to solve section A.

Originality: this is the X factor and isn’t something that is as easy to engineer as some of the other factors. But the most brilliant puzzles are those that use mechanics and hooks that haven’t been seen before. Or, perhaps, a mechanic that has been used before but tweaked in a new way. At the very least, you want to avoid a puzzle that makes something think, “oh, this is just like that other puzzle.”

So, go make me some puzzles! And maybe I’ll make you some.

Day 7: rent

Last night, Katie and I watched the DVD of RENT: Filmed Live on Broadway.  I’ve seen Rent twice on Broadway, watched the film version that came out in 2005 a couple times, and listened to the soundtrack too many times to count.  Since I began listening to music as a human being, it’s probably been the album that I’ve listened to the most times.  In all, the show has had a large influence on my life.

I still love the show, and I expect that most musical-theatre-lovers of my generation do too.  It may not be their favorite musical, but it’s hard to believe that it doesn’t hold a special place in the heart of anyone who saw it when they were young and just beginning to appreciate musicals.

What makes it so great?  First, it’s well written.  The songs are catchy and infectious, the  characters just flawed enough, and the plot is touching without becoming trite.  Every time Angel dies (spoiler!), I still cry.

Second, the story of Jonathan Larson’s career and the journey of getting Rent to the stage is heart-breaking and inspiring.  It’s the kind of thing that only seems to happen in made-for-TV-movies.

Most powerfully, for a kid in school, seeing or hearing this musical opened doors you didn’t know were possible.  It let you look past the touring production of 42nd Street you saw last summer and the version of Kiss Me, Kate that your school was putting on this year.  As the opening chords of Tune Up #1 start, it was like Larson whispered in my ear: “do you see what a musical can be?”  It can be dark and full of electric guitars.  It can be set in a abandoned loft in New York City.  It can speak to what people are like today.

Taken together, Rent is so entertaining and so hopeful and so powerful that it has a permanent spot on my iPhone.  I’m sad that I’ll never get the chance to see it on Broadway again, but I feel grateful that I was lucky enough to see it for the first time as a kid.

It also let me bond with a bunch of friends in college quickly and easily.  For example, here are some somewhat embarrassing college pictures of me “performing” Light My Candle and La Vie Boheme next to the fence at CMU late one night freshman year!

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